SIBLINGS // ENZO MARRA

1st August 2017 – 31st August 2017

‘Siblings’ 

Enzo Marra’s creative practice is concerned with the exploration and pictorial analysis of the art world. He explores the juxtaposing perceptions of those involved and those outwith the industry, their valuing and auctioning, the processes and activities that occur behind the privacy of studio doors, the hanging and display of works animated by the commodified space of the gallery, the milling of observers in exhibition spaces, and ultimately how the public presence then gives life and purpose to the works on display.

The use of texture is of great importance to his practice – lending both added dimensions to the oil paints as well as necessary dominance to his brushwork, which is visible within the final image. The physical dragging and building up of pigment is as relevant in his creations as the tonality and colour balance that they are used to express.

In Siblings, Marra has selected a number of figurative-inspired works, alongside palette-based works, which wholly reflect his own painting practice, whilst providing the leverage to further explore such interrelationships.  The intricate balance between studio activity and what is permitted for public viewing, and the concept of authentic and true pigment application, is explored in this series of acrylic, enamel and oil canvases.

These works have enabled Marra to be selected for the Creekside Open in 2013, 2015 and 2017; the Threadneedle Prize in 2010, 2012, 2013 and 2016; Beep Wales in 2014 and 2016; Gfest in 2010; Charlie Smith Anthology in 2011; the Open West at Gloucester Cathedral in 2012 and the John Moores Painting Prize in 2012 and 2016.

Marra was a prizewinner in the Creekside Open 2017 – selected by Jordan Baseman – and was included on the shortlist for the 100 Painters of Tomorrow. He was also given an honourable mention in the Beers Contemporary Award for Emerging Art 2013.

A GAME FOR GIRLS // STUART GIBBS

4th May 2017- 18th May 2017

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Jennie Stevenson                  Rutherglen Ladies, 19234th May 2017- 18th May 2017

This exhibition has been a development from an earlier project ‘The First Ladies of Football’ which explored the history of women’s football a subject that has been until recently a relatively understudied subject.

Women’s football has been one of the fastest growing sports with an increasing media presence and yet very little is known about its origins and development. This project aims to address this deficit by presenting up to date research supported by artwork and images to tell the history of the Game. ‘Game for Girls’ made its debut at the Annan Museum during the summer of 2015 and to tie in with the upcoming European Championships a new tour of the exhibition kicked off last month at the Scottish Parliament. Among the audience for the show was Dumfriesshire MSP Joan McAlpine along with sports minister Aileen Campbell and local MSP Humza Yousaf, and later in the summer the exhibition will take up residence at the Devil’s Porridge Museum.

Besides artwork, a series of information panels have been produced which explain the development of the game with each panel focusing on a specific part of the story. The first panel for instance focuses on the birth of the game and the first references to women playing football; subsequent panels cover the first association games taking the narrative up to the present day.

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Alongside the Game for Girls exhibition, Stuart is also exhibiting a series of landscape oil paintings.

For sales enquiries please contact sixfootgallery@gmail.com

Stuart Gibbs: stuimage@googlemail.com

A JOURNEY FROM IBD TO ITALY // FRANCESCA COZZARI

23rd March 2017 – 23rd April 2017

After spending her childhood in a hospital room – filling the walls with drawings to pass the time – Francesca’s passion for art led her to Glasgow School of Art. Francesca then spent five years developing her design and embroidery skills,  graduating with an honours degree in Textiles. Since then, she had the opportunity to learn, and progress her work further, in a costume department creating 18th century embroideries and costumes. Finally after being surrounded by so many talented and inspiring people, she decided to produce a collection of her own work, entitled A Journey from IBD to Italy which combined two projects she had previously explored.

‘Wooden Cells’

Her aim for the first of these projects was to turn something ugly into something beautiful – her experience of “ugly” was her childhood illness of ulcerative colitis and osteoporosis. Francesca looked at examples of the cells of the disease, as well as objects and textures which reminded her of both these cells and the crumbling of bones resulting from osteoporosis. She then tried to create “beauty” from her own interpretations of this research. The other personal project was her travels in Italy, during which she documenting the shapes and textures she saw in everything she passed – from the stones in the old cobbled streets to the beautiful mosaics and marble colours in the churches. These two projects are brought together in her cut works and embroideries.

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‘Che Spettacolo’

See more of Francesca’s stunning work at:

https://www.facebook.com/Capolavori-Cozzari-Embroidery-389105651186818/

JEWELLERY SHOWCASE 2017

Six Foot Gallery’s Jewellery Showcase 2017 Programme presents the work of emerging jewellery makers over the course of 2017.

August

Amanda Louise Bernard

at Six Foot Gallery

1st August 2017 – 31st August 2017

Fuelled by my fascination with the Human Body and its health and well-being, my process began by investigating microscopic images of human cells. Focusing my research on their organic forms, vibrant colours and interesting textures, my aim was to dissect and transform these organisms out-with the human body, transferring them onto the wearer in a new light.

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Through the combination of silver and alternative materials, I have produced a collection of incredibly colourful and tactile pieces of contemporary jewellery that evoke a sense of fun and play with its audience. The exploration of materials and texture throughout my designs creates a sensory need to interact with the pieces. Therefore, developing a deeper connection between them and the wearer, transforming the relationship we have with jewellery altogether.

For further enquiries please email albernard8@hotmail.com or sixfootgallery@gmail.com – prices available upon request.

 

May

Eleanor Patton

at Six Foot Gallery

10th May 2017 – 10th June 2017

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Eleanor with two of her pieces; Recovery Cycle, necklace (£610) and Recovery Pendant (£240)

For Eleanor, mirrors represent the presented self. They are a literal reflection of how we wish to be seen, hiding beneath the surface is our true selves. By using whole, broken, and repaired mirrors, this collection of jewellery explores the different stages of mental health and illness and the pressure to present a perfect image of yourself, when inside you are broken.

Using the Kintsugi technique of repairing with gold, she has created pieces of jewellery which show the beauty in the broken. The golden cracks show that the damage is part of one’s history, rather than something to be disguised. Eleanor wants people who struggle with depression, anxiety, every mental health problem there is, to know that it is not something to be ashamed of, that we should feel proud for having fought such a hard and misunderstood battle. Most of all Eleanor wants to show the beauty of having been broken.

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‘Healing Process’ Necklace, made from ethical silver, glass mirror, metallic dust: £315

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This collection represents Eleanor’s personal experience with mental health and she hopes it opens discussions surrounding other people’s experiences.

Kintsugi: knowing that something is more beautiful for having been broken

For more information on Eleanor’s jewellery visit: http://www.eleanorpattonjewellery.com

Photo Credit: http://meredithandrewsphotography.com/

The models featured are volunteers who are dealing with mental illness.

May

Kirsten Manzi

at Six Foot Gallery

10th May 2017 – 10th June 2017

Kirsten Manzi is a jewellery designer and maker based in Dundee, Scotland. She set up Kirsten Manzi Jewellery Design in November 2015 launching her debut collection of structural, handmade silver jewellery.

 

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Maxi Earrings, Oxidised Sterling Silver: £38

 

After graduating from Duncan of Jordanstone with a degree in Jewellery and Metal Design, Kirsten worked in a jewellery repair workshop for 3 years gaining knowledge in design development, manufacturing and repairs. She has exhibited across the UK at exhibitions including the prestigious New Designers, The Barbican and Lesley Craze Gallery in London. Kirsten also participates in a number of Pop-Up events across Scotland.

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Fragment Bar Necklace, Oxidised Sterling Silver: £58

Now working from her home studio, Kirsten creates serene, minimalist jewellery inspired by bold geometric shapes and architectural structures. Crafted in solid silver, Kirsten designs each piece using clean, streamlined, aesthetics with many pieces unfolding themselves in the workshop rather than in sketchbooks. With the belief that there is beauty in simplicity she transforms the aesthetics of the built up urban environment into delicate, structural jewellery pieces.

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Oxidised Sterling Silver Rings: £35 each

Each piece of Kirsten Manzi Jewellery is designed, made and finished by hand in Kirsten’s home studio, using a mixture of traditional and modern techniques. Focusing on quality craftsmanship and subtle details, Kirsten aims to provide each customer with simple, understated jewellery pieces to be worn and enjoyed every day.

As well as her own designs, Kirsten works with clients to create limited edition and one-off commissions.

For more information on Kirsten’s jewellery visit: http://www.kirstenmanzi.co.uk

 

 

APRIL

Ntina Doryforou & Christos Vroullis

at Six Foot Gallery

10th April 2017 – 9th May 2017

Ntina Doryforou started establishing in 1991, with her husband Christos Vroullis, in Greece, their own workshop and creating their first handmade items of mouth-blown glass.

After 13 years of experience with glass, working with it freely without moulds, they began making handmade glass beads. Their success in this area encouraged them to create new items and experiment with new materials such as copper, brass and sterling silver.

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In 2005, they opened their own shop in the centre of Thessaloniki, Greece. Recently, in 2015, they moved to Edinburgh, where they continue their inspiring creations.
Now, they design and create handmade lights, mirrors, clocks, bowls, hangers, artistic jewellery and anything else that inspires them! They draw inspiration from nature and from ancient history.

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They have participated in many trade fairs in Greece, Germany and UK.
All their items are distinguished by their original, natural style which allows the handmade character of the object, and the original earth materials used, 
to be brought out.

FEBRUARY

Iona Hall at Six Foot Gallery

20th February 2017 – 20th March 2017

This February, Six Foot is proud to showcase the works of Glasgow School of Art Students Iona Hall.

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Iona Hall is a third year student in Jewellery and Silversmithing at Glasgow School of Art. Inspired by the natural forms, colours and textures she encounters in the environment around her, Iona works predominantly with metals – particularly wire – bending and twisting it into different forms. By making miniature sculptures as well as pieces for the body, she aims to challenge the traditional role of a jeweller. Iona’s work endeavours to investigate ways of expressing the hidden self, prompting the viewer to consider different life perspectives and allow for imperfections.

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By exploring the many strands and intricacies of mental health, Iona challenges the viewer’s prejudices and levels of judgement. Each of the twenty objects on display in the Six Foot Gallery represents a visual interpretation of a different mental health issue. Iona has used – amongst other materials – silver, copper, wire and wood to translate her own understanding of these issues into small holdable objects. Her intention is that, upon holding the work in their hand, someone might be able to appreciate the contrast between the small and unthreatening physical object and the magnitude of the emotion it represents for a sufferer.

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JANUARY

Paulina Knapik and Sandra Zinkuté at Six Foot Gallery 

10th January 2017 – 24th January 2017 

 This January, Six Foot is proud to showcase the works of Glasgow School of Art Students Paulina Knapik and Sandra Zinkuté.

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Paulina Knapik is a 3rd year, Silversmithing and Jewellery Design student at The Glasgow School of Art.  Paulina’s artistic practice seeks to balance between fine art and commercial jewellery. Her main inspirational sources are: nature, urban geometry, contrasts in the surrounding world, music, paintings. The variety of works on show cover this range of inspirations, and highlight her skills as a maker.

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Sandra Zinkuté is a 3rd year, Silversmithing and Jewellery Design student at The Glasgow School of Art. Sandra’s work is influenced by nature and her changing surroundings. Her newest collection was inspired by the architecture of Glasgow and her observations of nature and plants in the Botanic gardens. Rough surfaces mirror that of the organic life in the city while the outline of the pieces offer a more formal structure and contour.  Her objects are interactive, only finished when held in the hand or between the fingers.

RESIDENCY 2017 / KIRSTY BOUTLE

The team at Six Foot are delighted to welcome artist Kirsty Boutle to the gallery this week. Kirsty is our current Artist in Residence and will be working in the SFG Studio over the next month.

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Kirsty Boutle’s practice uses drawing, painting and sculpture as a material interrogation of the body; an insatiable desiring and viscerally maniacal machine. Questions of merging and intertwining; the reciprocal actualisation of virtual states in, on and through a body. An intimate examination of the emergence of subjectivity brought about by transfigurative encounters with other forms and forces.

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During her residency Kirsty will create a series of small and detailed drawings and paintings, focusing on the exploration and combination of one or two repeated motifs within her recent 2 dimensional works which featured in her recent exhibition with Eilidh McPherson, Visceral Absurdities,  at the Patriothall Gallery, Edinburgh.

Kirsty will be headlining our exhibition programme this April. To find out more about Kirsty and her work visit her website: www.kirstyboutle.com

* IMAGES: Fly me to the moon on a unicorn (2015) mixed media on paper 35x31cm, American cream soda and a single white pudding (2016)mixed media on paper 45x30cm, Installation shot of Visceral Absurdities at the Patriothall Gallery, Edinburgh

 

RENDER / 12th – 24th January 2017

Six Foot Gallery’s Render presents a series of works by three artists spanning sculpture, photography and collage.

Central to the concerns of the artists is their desire to establish an interactive relationship between viewer and maker; be that through touch, the adoption of a playful and imaginative gaze or through invitation to transverse both internal and worldly landscapes.

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Craig Black makes physical his personal experiences of comfort, fear and pain, creating an opportunity for new dialogue on love and loss. This dialogue is realised though his unique touch, from hand drawn line to tactile objects. The viewer is invited to participate by adding the warmth of their hands to his sculptures. 

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Curious Wonders, a selection of photographs by Louise Dautheribes Mckerl, invites the viewer to experience the fragments of her travels through the US, France, Scotland and Jamaica. In the frame and out of it, the call of the road captured by Dautheribes seeks to spark our own imaginings.

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Glasgow based artist Richard Martin‘s collage works create a sense of familiarity and equal unease. In his cuts and process of recording there exists both a continuity and a disjunction with the world as an image.

By establishing an environment in which narrative and experiential fragments can be connected by visitors, Render sees these disparate works meet.

To find out more about each artist stay turned to our blog!

Join us on the 24th of January for our Closing Party. More details can be found on our Facebook page: Render at Six Foot Gallery

DELTIOLOGY // EYE AM CAMERA

The concept of this project is to create an enjoyable experience between artists and audience alike. Eye Am Camera Collective want to show the art world that an exhibition does not have to circulate around the materiality of money, to sell or buy a product or have an expensive presentation. The term Deltiology comes from Greek δελτίον, deltion, diminutive of δέλτος, deltos, “writing tablet, letter”; and -λογία, -logia) meaning the collection and study of picture postcards.

Eye Am Camera is a newly-formed art collaborative project created by a group of friends, lovers and fellow artists. This is the collective’s first exhibition in Glasgow featuring work from 27 visual artists in different stages of their art careers and in a wide range of mediums. The exhibition will consist of approximately over 540 postcard prints of the featured artists’ work. At Eye Am Camera closing event each member of the audience will be invited to  take a print they like home with them and to create a new human connection with an artist and their work.

Exhibiting artists:
Andrea Popyordanova
Bleu Hope
Calvin Downie
Cloud Tanadyńska
Diana Savova
Dimosthenis Bogiatzis
Elizaveta Maltseva
Evonne Bain
institute for l!ghter living!™
Jack Low
Jiawei Song
Julia Barbour
Julie Huggan
Karen Beattie
Karolina Draczynska
Kevin Andrew Morris
Martin Hensey (Red Balloon Studio)
Megan Rudden
Morvern Odling
Paul Gorman
RebT
Samantha Dick
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Seirin Hyung
Stella Phipps
Tara Kathleen Stewart
Zoe McArthur

Six Foot Gallery will present Deltiology by Eye Am Camera from the  10th November 2016 – 24th November 2016. 

Join us for a unique closing party event on the 24th November from 6-8pm.